








I don't know what else to call these little things I whipped up last night. A few weeks back I ordered some of Teesha Moore's collage sheets with every intention of making some collages on canvas to hang above the coat hooks in the New Foyer. I don't have the long row of repurposed doorknobs mounted on a weathered white board on the east wall with a white bench underneath, so I have no current need of the six 12 x12 collages I planned to hang above the whole mess. Yet. I do, however, need Christmas ornam
On the tree, there are currently 4 blackapples that I mentioned in the last post and my mixed media action figures which are in the 2009 edition of Quilting Arts Gifts. There are also six or seven Katie Kendrick style dolls that were featured in Cloth Paper Scissors Issue 9 ( my cover). And these - the Moore-naments! Three of them are mounted on paper-covered chipboard and glittered up. I put a piece of blank cardstock on the back so that I could use them for gift tags if I felt so inclined. The other two are layered on fabric and felt, then backed with brown grocery sack. I machine stitched around the layers and added some sparkle. Since the back is paper, these could also be gift tags. I spent about an hour to make all 5 and I am trying to resist making all of the collage I bought into ornaments. Eventually that foyer will need some artwork!
New doll from this pattern:
things just don't make sense. Sometimes I don't have an answer for one of my girls. Yesterday was one of those times. Yesterday our high school boys and girls cross country teams ran in the semi-state meet for a chance to compete in the state finals next week. There were 23 other teams there, too. The top 6 teams and the top 15 individuals move on to the finals. Our girls team was ranked 5th coming in and, to be honest, everybody expected them to make it out. Everybody has been racing well and staying healthy through the tournament series. Almost everybody. Courtney had a great regular season, but the last couple of races, she struggled a bit. I think the effects of playing two varsity sports simultaneously have taken a bit of a toll on her body. And...hate to say it...but a little "team drama" got into her head and a seed of doubt grew into a fully bloomed case of insecurity.



I teach grades one thru five in a rural area. Fifth grade has been working on creating value with hatching and crosshatching. This is black water-based marker on construction paper. I keep my materials to a minimum and always try to present lesson that the students could recreate easily at home with inexpensive materials.
King Tut is at the Indianapolis Children's Museum and although our school system can no longer afford to send kids on field trips, our fourth grade teachers applied for grants to take their students to see the exhibit.








Okay. So the class I took last week was called something like "Printmaking for Book Artists", the primary focus being on ways to create images for books and multiple copies of books or images. We did carved stamps - I've done this before but still enjoy it. I made a set of interchangeable leaves, petals and centers and started a doll set with hair, faces and hats. Some of the flower parts work with the doll parts, too. We did the linoleum prints, like the sunflower reduction print in the last post and we did monotypes. To me honest, monotypes have never been too exciting to me. I hate "mono" anything - it means you go to a whole bunch of trouble and get ONE thing. But, surprise, I found a monotype that I liked: the traced "Gaugin" style monotype. I used photocopies from a book of flowers in the library. I varied the process slightly from the way Matt taught it, but it worked out. In the pages above (from a journal I have challenged myself to fill before school starts) the images are some of the photocopies I used.
I made a little book of my monotypes. The monotype is on the left and the ghost is on the right. We used etching ink (oil-based) so I watercolored over the dry prints to give them a little flavor.

this little fact about my Good Girls? Every Good Girl that I make personally with my own little hands has a secret. If you lift her skirt, you will read a small truth about Good Girls. This is Miss Bonnie.
She's no real Black Apple, but she'll have to do until I can get one of Emily's originals. I love owning things made by people who have It. I never leave the house without at least one piece of Thomas Mann on - yes, I know he's the designer of my pieces, not necessarily the maker - but still...it's his brain and breath. I own one small thing made by Dan. Something from Keith? Well, only the memories of his class "Precious Little". I fear I shall never be of the means to buy anything substantial from Dan or Keith. I bought a rubber stamp directly from Teesha at Art Continuum in 2003. A set of wings I used all the time for a while.
Why has Emily been added to my Little Group of Modern Masters? She's really doing it - making a living (and a life) making art. Her voice and vision are strong and I wish her continued success.

